By Louisa Beatty
Title: ‘Bouquet III’
Artist: De Rijke/ De Rooij
Venue: Sydney Biennale
‘Bouquet III’ is the third sculpture in a series of bouquet’s arranged by collaborators De Rijke/ De Rooji. The sculpture is a live flower arrangement consisting of various native Australian flora, presented in a traditional style of vase, standing alone on a conventional plinth.
Aside from being so aesthetically drawn to the idea of a bouquet- so beautiful and so obvious, elegant, tacky, complicated and socially loaded- I more so gravitated to the projects on going form of documentation and recreation. The collaborative duo continuing their ‘Bouquet’ series each time employing written language as their form of sculptural documentation. Once initially made and exhibited the original ‘Bouquet’ exists only on paper through a detailed 360 degree description facilitating future constructions.
This process of documentation paired with the use of native and/or accessible, ephemeral materials allows for a shift in the treatment, placement and physical content of each ‘Bouquet’. The sculpture then both speaking specifically to site/location/country as well as the poetic, romantic notions of translation and personal interpretation.
The series grows and shifts as the artist’s adjust to each others language as well as placement. The piece becomes a romantic narrative of the two artist’s understanding and communication whilst remaining an accessible artwork to it’s spectators – reaching to them through localised material.
To me the work is a seriously cute echo of the societal associations placed on the object, the bouquet -just something to be looked at yet maybe the recognition of feelings or a thank you or death.
Being that there are no photographs of ‘Bouquet III’ -obviously- I became aware of this work through the informative DVD provided with the ‘On Emotions and Reason’ Book where the two artists spoke together about their project.
So technically this is just another interpretation/translation/description of the work