Featuring artists such as Andrew Barber, Zac Langdon-Pole, Gavin Hurley, Kate Newby, Patrick Lundberg, Fiona Connor and Peter Peryer.
The Dowse Art Museum -13 Dec 2014 – 22 Mar 2015
By Kane Laing
Walking into the space of S P A C E S, the first words that enter my mind are “Looks like Contemporary Art”. It had a feeling of contemporariness with its mix of contemporary aesthetic tropes, the giant abstract canvas, the small paintings, the giant semi-abstract reduction painting, the recontextualised stack of bricks, the intimate black and white photo, and of course the removed and relocated staircases sculpture in the middle of the room. Not to mention the colour theme of grey and white.
On the wall-text of S P A C E S is written:
“How do you exhibit architecture? The common answer is generally a combination of drawings, models, photography and film – media that may provide a helpful representation but can never quite match the experience of architecture itself. . . Through these works we may begin to notice the physical space around us, and start to ask questions: How much does architecture impact on art? How much does art impact on architecture? Is it possible for the spaces we see art in to be neutral? Are some spaces so interesting architecturally that they dwarf the art? Can art change the way we see and remember a space?”
I don’t feel like any of these really good questions were addressed, except maybe in the most vague manner that only contemporary artists could. It sounds like a wonderful seed to an exhibition, but in this case the exhibition bears boring fruits. The exhibiton was very cold to me and try-hard contemporary, I didn’t like it. It is the sort of exhibition that leaves me with the underwhelming feeling of “Art, who cares.”.
However it was still worthwhile seeing. The stair sculpture was actually totally reconstructed, which was interesting, but I then wondered if it was more interesting than bringing some real stairs in. I really like the painting by Patrick Newby and I am a fan of his stuff, but it does nothing for this exhibition. Some things are kind of nice but nothing gives the exhibition life. It isn’t a bad exhibition it’s just really boring.
INSTALLATION VIEW WITH WORKS BY GAVIN HURELY, JOHN REYNOLDS & JULIAN DASHPER, AND PATRICK LUNDBERG. PHOTO: JOHN LAKE
I can see the interesting links to architecture in most of these works, but I felt uninspired and distant from the beauty or fascination that can be found in architecture everywhere. The wall text in the show is right on the money and I want to see a show that really embodies those questions. But, I’m sorry, 12 bricks stacked up is a shallow engagement with an interesting concept. To me that is the essence of what is wrong with contemporary art, it’s so vague and clinical, and it can be intimidating to some people when it is so inaccessible. I don’t think the public has to be spoon-fed and there is room for ambiguity and unknowing-tension in art, but at least make it engaging.
The alphabet-art show upstairs was much more fun.
Images taken from The Dowse website